The Snack Thief. Andrea Camilleri (Writer), Stephen Sartareelli (Translator) Picador (1996)

Compelling, charming and very engaging Sicilian crime story. Inspector Montalbano is determined to avoid any involvement with the case of a crew member of a fishing boat who is killed by a Tunisian patrol boat. The case of an elderly man found fatally stabbed in the lift of his apartment block is much more interesting. As the investigation into the murder unfolds, the victims life becomes much more complicated and the actions of his cleaner become very significant. The investigation twists and turns and becomes emeshed in very dangerous national and international security. The conclusion is wholly satisfying, arising naturally from the story and delivering exactly the punch it should.
Frequently in crime fiction the lives of the leading players are put in at the margins of thier professional work, here the investigation has to push very hard to find space in the larger context of Montalbano's life and in particular his pleasure in eating.
This is wonderful as Andrea Camilleri provides a deep and complex context for the investigation and allows Montalbano to truly reveal himself. In doing so he does not crowd out the rest of the cast, rather they are given the room to show off themselves and capture the reqade's attention.
The plot mechanics take their force from the context and they reveal a darkness in the Sicilian sunshine that is cold and powerful. There is sharp humour but no one is comic relief, not even the obvious comic relief player.
Charm is a tricky quality in a crime story, it runs counter to the grain of the genre. Montalbano is not a charming man, he is prickly and difficult,his deep pleasure in eating is a pleasure for the reader. Charm comes from the sly commentry of the author on the story, the cast and the context.Such confident storytelling with the lightest touch is a demonstration of tremendous depth of talent. There are no rules for talent and  Andrea Camilleri proves that charm is no barrier to being gripping and thoughtful.
Stephen Sartareelli transparent translation and very useful notes at the back of the book are  wonderful, they allow the full, rich, flavour of the story to rise up and entice the reader.

Rounding The Mark. Andrea Camilleri. Stephen Sartarelli (Translator) Picador (2006)

Wonderfully engaging Sicilian crime story that is drenched in atmosphere and with superb plot mechanics. Inspector Salvo Montalbano takes a swim to shake off the depressing feelings that have been plaguing him. He bumps into a dead body and bring it ashore. The body proves to be a murder victim, the identification is very difficult and the only likely possibility was already dead before the likely murder date for the watery body. Montalbano assists at the processing of a  boatload of illegal immigrants and helps return one to his mother. A short while later the immigrant boy is the victim of a traffic accident and the misgivings that Montalbano had at the time return in full force. The quiet investigation he launches leads to some very brutal criminals and some unexpected revelations. The reveals are superbly stages, the plot mechanics cunning constructed and the conclusion satisfying.
Andrea Camilleri has managed the very difficult feat of delivering a wholly satisfying crime story that is also a biting commentary on politics and society in Italy and Sicily. The story carries off both with wit and grace thanks to the glorious Salvo Montalbano, a man who is utterly a professional policeman and a man with a open heart. Montalbano as vivid and forceful as the Sicilian context he works in. The countryside and the atmosphere of Sicily pervade the book, they ground it wholly and give the actions of the cast force and weight.
The action is delivered with a light touch and Montalbano is never dour or grim, he is too busy enjoying his friends and relishing his food for that. This lightness cleverly hides the chilly darkness of the plot that slowly comes into view and as Montalbano's anger develops in response to it the reader is drawn into the human scale of the brutality. This is the strength of the story, the crimes have a ordinary scale, carried out by humans who have no care for others only for greed. The victims are remembered by Montalbano and they are contrasted with the society and systems that failed them. The anger is controlled by Montalbo's professionalism. Andrea Camilleri can see and enjoy the splendor and generosity of Sicily without ever forgetting the dark veins that run close to the surface. The balance he achieves makes this outstanding book a serious pleasure.

The Terracotta Dog. Andrea Camilleri. Stephen Sartarelli (Translator) Picador (2002)

A wonderfully atmospheric crime story set in Sicily with a clever plot, an engaging cast and a superb leading character. Inspector Salvo Montalbano has a most unexpected meeting with a leading Mafioso which ultimately leads to a hidden cave which proves to have multiple secrets. A pair of lovers, embracing in death, was laid to rest there fifty years before, with a large terracotta dog keeping watch over them. The story twists and turns as the inspector tries to unravel the mysteries of the cave. The reveals are cunningly staged, the cast are bursting with life and vigour and the conclusion is heartfelt and very satisfying.
The major character in the story is Sicily itself in all its contradictory glory. The extraordinary sense of place that Andrea Camilleri is able to conjure up without it ever becoming a travelogue is vital. The context provides the stage for the wonderful strutting cast to play upon, they are so strongly at home that the action feels completely natural. The epidemic corruption and the accommodations to it as well as the struggle against it saturate the story without ever obscuring it.
Inspector Montalbano is as much a pleasure to read about as it would be a terror to work with. He is clever, forceful, terrified of public speaking and utterly dogged. He is a great mix and emerges with force and clarity, the rest of the cast are to a lesser or greater extent in his shadow, they all are demanding to be noticed too. It is the determined vitality of the cast that gives the book its weight and grip. This is a great story brilliantly told.