Search This Blog

Tuesday, July 25, 2017

Unspoken. Mari Jungstedt. Tiina Nunnally (Translation).Corgi Books (2009)

A quietly gripping and very engaging Swedish police procedural. A man is beaten to death in his darkroom and found a week later. Henry Dahlstrom was a photographer and full time alcoholic who had had a large win   the race track before he was killed. Chief Inspector Anders Knutas leads the investigation into Harry's murder finding a simple case to be rather slippery in fact. At the same time a young girl, Fanny, who has a strained home life with her mother, develops a friendship with an older man that starts to develop into something more serious. When Fanny goes missing the threads that tie both cases together twist very neatly together to a very satisfactory conclusion.
The lot mechanics are excellent, the murder investigation is driven in a professional, competent way by DCI Knutas, as each lead is pursued the list of suspects gets smaller and answers more elusive. The disappearance of a vulnerable child increases the pressure and the investigation has to manage the additional work. The reveals are nicely staged and the final unravelling is very well set up.
The cast are very engaging, Mari Jungstedt has a gift for quickly establishing a character, as she does with Henry Dahlstrom, as much as for steadily developing one as she does with Fanny. That both victims are given the space to clearly register with the reader is crucial to the story, the investigation is in part an investigation into them as much as their circumstances and they are given their due importance.
Ander Knutas is a professional police officer with a functioning marriage and a stable relationship with his young children. He avoids being a genre staple or being dull by virtue of being fully developed so that his life outside of his work and his relationship with his work is thoughtful and engaging. The supporting cast are given the chance to establish themselves and they take it in full.
There is an interesting sub plot regarding a relationship between a married woman and a television reporter which is essentially independent of the main narrative. Mari Jungstedt is able to write this without it ever appearing distracting or redundant, it feels natural within the story. This s very impressive as it widens and deepens the general context for the events and Gothland in particular. It acts as a satisfying balance to the investigation.
Tiina Nunnally's translation is transparent, the language never jars or suggests that the story and context are wholly and naturally Swedish. Excellent crime fiction.

Monday, July 24, 2017

Tomb of Horr 2. Kim Roberts (Editor) Swamp Line Productions (2017)

A very engaging and enjoyable horror anthology that is being released via a Kickstarter campaign, details below. A happy variety of excellent horror stories that include the following:
Der Schatten, Mariano Falzone (Writer), Alfredo Retamar (Artist), Alfonso Marugo (Colours). A man is having a problem with hi shadow and is sent to a specialist. She provides a remedy which does solve the problem in an unexpected way.  A clever set up and a smart pay off combine very nicely. Alfredo Retamar' art is strongly expressive catching and holding the balance of the story with care and strong detail. Alfonso Marugo' colours give depth and force to the art.
Hell House. Jack wallace (Writer), Francesco Conte (Art), Chris Allen (Colours & Letters). Jenny has a dream that her grandfather tells her of treasure in his house and she travels there with her partner, Rob. This proves to be a bad idea is the most satisfying way with tremendous atmosphere and a very nasty edge. Francesco Conte's standout art nicely blurs the lines between dreams and reality and as they bleed into each other brings out every nuance in the story. The colours by Chris Allen are spot on, slightly subdues they give force to the unnerving atmosphere and the letters are easy and natural to read.
High Seas Undead People. Paul Bradford (Writer), Matt Olson (Art). This is a lesson on how to cram a lot of story into a very short space, pirates fight zombies, fantastic. Matt Olson's art is a joy, it brings pirates and zombies to brutal, fierce life.
Scarecrow. Kim Roberts (Writer), Zaex Starzax (Art), Chris Allen (Colours & Letters). Scarecrow shows the undying power of tradition , full tilt horror when a paranormal investigation at a isolated farm goes as expected. Kim Roberts sets up all the elements with care, Zaex Starzax delivers intense, claustrophobic art that never lets the reader escape. The colours by Chris Allen capture and emphasis all the tones in the story and the sound effects are superb.
Demonic Sudoku. Julio Paz (Writer), Pietro Vaughan (Art), Nikki Sherman (Letters). A sharp, bleak and very satisfying short . A mathematician solves a sudoku puzzle that leads to hell and beyond. Pietro Vaughan 's stunning black and white art gives the story force and depth that is needs to work. Nikki Sherman's lettering is subtle and quiet, natural to read.
Good anthologies are hard, getting diverse stories to work in harmony is tricky, this anthology not only does this it creates a cohesive whole where each of the stories get a lift from being in the collection.
Chief Wizard Note: This is a review copy very kindly sent by Kim Roberts. To support the Kickstarter campaign, get a great collection of stories from very talented creators and relish the joy comes from reading excellent comics please follow the link: https://www.kickstarter.com/projects/1870476470/tomb-of-horror-vol-2-horror-anthology

Thursday, July 20, 2017

Strange Shores. Arnaldur Indridason. Victoria Cribb (Translation)Vintage (2014)

Gripping and memorable Icelandic crime story that has deep melancholy heartbeat. Detective Erlendur is staying on his parent's abandoned farm when he hears a story about a woman who vanished in storm from a neighbour. Erlendur lost his younger brother in a storm decades before and the wound has never healed, so he responds to the story be asking questions among those who were alive at the time. Slowly a story emerges as peoples memories are brought to the surface. It becomes clear that there was more going on than had been known and the final unravelling is smart and bitter, exactly as it should be.
This is a very quiet story, the action is mostly Erlendur asking questions and stirring up memories that have long been dormant. The grip of the story lies in the cast and in particular Erlendur  himself. He frequently asks himself why he is pursuing this story, as it becomes clearer that there may have been foul play involved, he wonders what he will do about any information that he finds. It is always apparent to reader that Erlendur is attempting to hide himself from the story of the loss of his brother while being constantly having it brought back to him by his investigation.
The supporting cast are given a tenacious life, they are elderly now but they have a force and depth that bring the reader deeply into the story. As the lives they lived in the small fishing village emerge and the forces that trapped them it becomes increasingly clear that the past has never let them go. As the investigation continues the compromises and stories they have told themselves start to wilt under scrutiny, they become more engaging and vivid. Erlendur is doing something they want and do not want.
The plot mechanics of the story are superb, the pieces of the story that emerge fit together with a strong credibility and slowly lead to a brilliantly set up conclusion. The second story about Erlendur 's brother is masterfully woven into the narrative and the conclusion is deeply sad and and entirely suitable.
A novel about the long term impact of cold, very cold, crime Strange Shores is stunning, the poisonous effects of crime are rarely so carefully considered and revealed. Top class fiction.

Tuesday, July 18, 2017

Lone. Stuart Moore (Writer), Jerome Opena (Art), Michelle Madsen (Colours), Sno Cone (Letters). Rocket Comics/Dark Horse Comics (2004)

A hugely enjoyable and engaging science fiction Western that mixes both with care to deliver a great story. Ravenous zombies have overrun the post-apocalyptic town of Desolation. Luke and her brother Mark are sent in search of a legendary gunman, Lone. When they find him it starts to become clear that there are bigger forces than zombies at work and that an terrible threat from the past has come back. The story unfolds at a great pace, the reveals are cunningly staged and the conclusion is satisfying bitter.
Stuart Moore makes the difficult task of successfully merging two distinct genres into a unified and satisfying whole look easy. The Western framework for the story fits nicely into a devastated post-apocalyptic world. The solitary gunman pulled back into the action is given an entirely effective science fiction twist that manages to lift the story up where it needs to be.
Luke, the tough, resourceful and female sharpshooter who does not realize just how much trouble is waiting is deeply engaging and brings the reader easily into the story. The fact that Luke is female is both deeply significant and does not matter at all. Stuart Moore has quietly demonstrated that it is the personality of the character that is key not the gender. There is no grandstanding or calling out about Luke, she is simply a cast member. It is a little worrying that thirteen years later this is as noticeable as it is.
Jerome Opena's art is entirely equal to the task of meeting the rival genre requirements with collision or confusion. Lone is a classic western hero, laconic and dangerous without flash, just fierce competence and a hat that shades his eyes. He moves through the story with anger and determination, bearing his burdens as he should. Luke and the rest of the cast are expressive, move with grace and physical force through the beautifully realized context. The science fiction robots, guns and monsters never seem out of place, this is the frontier where all sorts wash up and make trouble for each other. The use of panels to control the pace of the story is expert, they bring out the nuances and beats of the story.
Michelle Madsen's colours are science fiction bright, they catch the wide open dusty space of the frontier as well, it captures the emotional context of the story with subtle grace and care.Sno Cone's letters are quiet and natural to read, the sound effects are big and bold, they give the edge the actions scenes want to really land.
Lone is a great story and a smashing comic.

Tuesday, July 11, 2017

Kickstarter campagain: Resurrected. Kim Roberts, James Johnson, Chris Allen, SwampLine Productions (2017)

Swamp Line Productions do something very difficult and make it look easy. They deliver excellent comics, comics that clearly have come from individual talents working carefully together.
Now they have a new comic, Resurrected and a new Kickstarter campagin to support it.
A group of paranormal investigators accidentally raise the dead and create a zombie infestation on the Isle of Blackwood.
Kim Roberts, James Johnson and Chris Allen have a history of taking an obivous idea and moving it in unexpected directions, developing ideas into into stories that respect their readers.
There are never enough excellent comics, the opportunity to increase the quantity should be taken. I have backed Resurrected because I would really like to read it. Give yourself the same pleasure, https://www.kickstarter.com/projects/1139490928/resurrected

Saturday, June 24, 2017

The Darkest King 3. Tony Scott Astley (Writer), Paul Anderson (Art). WP Comics (2017)

An explosively enjoyable issue that picks up the story threads and twists them in very engaging ways. Kurt King, ex policeman and vigilante follows a lead to find Mr X, the crime lord of Coldwood, when he meets Mr X there is a lot of trouble for everyone, exactly as there should be.
Tony Scott Astley moves the story with great force and confidence from the point where Kurt finds his willingness to use violence to pursue justice as he sees it and forward to the results of his actions. What drives the Darkest King so strongly is that the two key characters, the King brothers are never passive, they respond and try to control events around them. The similarities between them are striking, Tony Scott Astley uses these to great effect as they cross paths with each other and find that neither are who they thought they were. Action is very neatly mixed with context and explanation so that the story moves very quickly and the same time the cast develop strongly and the stakes of the story increase for everyone. Using the classic noir elements of a wounded hero and a driven villain Tony Scott Astley has developed the story into a very dark and deeply engaging place that smartly places a question mark after the title.
Paul Anderson's art is a match for the writing, it captures and brings out every aspect of the story, giving emotional depth to the events, never losing the cast in the violence. The action is forceful and consequential, words have the impact of a striking fist and the feel it. The colours are wonderful, they frame and emphasise the emotional context for the story. The different parts of the story are given very different colour keys which act to both separate and link them. The lettering is easy and natural, the sound effects are placed for impressive effect.
The Darkest King 3 is a great payoff for the story, the threads are picked up and tied together very effectively the bitter undertow to the story is given full rein and nobody gets away unharmed. Smashing.
Chief Wizard Note: This is a review copy very kindly sent by Paul Anderson. To purchase The Darkest King 3, which you should to see how very talented creators handle the creative challenge inherent in a smart story, it is available from  http://www.wpcomicsltd.com

Friday, June 23, 2017

The Darkest King 2. Tony Scott Astley (Writer), Paul Anderson (Art). WP Comics (2017)

The second issue of the very engaging and enjoyable noir story moves backwards and forwards to add depth and context to the story. Kurt King, ex-policeman and vigilante is becoming increasingly concerned that his brother Victor is somehow involved with Mr X the crime lord of the city. Having suffered a devastating loss Kurt reflects on his shattered past with his brother. Victor is also making moves of his own to pursue his own interests. When Kurt returns to the hunt for Mr. X he finds much more than he ever expected.
Tony Scott Astley has a sure and confident approach to noir storytelling, he is willing to take the time to build up to a substantial pay off and keep a number of story possibilities open at the same time. Kurt is a classic noir lead character, deeply wounded and channelling his rage into a fight for something worthy, fighting corruption. The fact that his brother maybe implicated in the corruption is a complicating factor that ultimately does not distract or deter him. Victor King, the brother who got away, rich and successful is ambitious at best and very murky at worst. The  looming possibility that Kurt is being deftly played by someone else is quietly set up, nicely stirring the plot possibilities.
Paul Anderson's art is sharp and a pleasure to read, the physical setting is very powerful, the locations have a strong presence. This underlines the huge gulf between the brothers, harsh actions are taking place everywhere, the difference in the settings is vital to the story and context. The way panels and full pages are used to control the momentum of the story is great, in a story where reveals are crucial this is very important .The cast are powerfully expressive, Kurt wears his life on his face, battered and stubbornly determined, Kurt moves forward for his mission with a grim determination and bitter humour. Victor is a smooth shark, moving steadily in for the kill. The supporting cast all move naturally in their context amd give depth and force to the story. The shifts from conversation to action are natural and effective, that both are as dangerous as each other is captured with deft skill.
The colouring is striking and very important, it brings out every nuance in the story and creates and sustains the vital atsmophere of the story. The lettering is quiet and flows naturally with the panels, never distracting the reader, the sound effects are loud and pitched exactly at the right place and volume.
The Darkest King is smart, engaging and confident crime comics storytelling using a genre that is fatally easy to get wrong, a pleasure.
Chief Wizard Note: This is a review copy very kindly sent by Tony Scott Astley. to purchase a copy of The Darkest King 2, which you should to improve your quality of life as only excellent comics can do, it is avalible from http://www.wpcomicsltd.com