A burning, outraged story about sexual violence and retribution. I hate stories that use sexual violence as the point of transformation for a charterer into guise of the powerful lead character. It is repugnant and morally false. Sexual slavery is a blight on humanity and this story is rooted in the violence of sexual slavery and the way it transforms someone from victim to vigilante. It makes a fierce argument about brutal actions that is never a cynical exploitation , it is also a very engaging story that uses the possibilities of being a comic with confident skill and subtle detail.
Lita Soledad escaped from two years of sexual slavery to the USA, haunted by the spirits of her ancestors Las Adelitas, spirits who burn for vengeance. Lita hides the demands of her past and her ancestors untill news from a small town forces her to act in the shape of Pistil. A young girl was assulted and killed herself, now another girl falling into the orbit of the predator.
The story unfolds in an unexpected way, circumstances are not straightforward. The predator is unconstrained appetite, the girl is uncertain, unhappy and desperately seeking something. The story takes the time to give her the depth and scope that victims loose after the assault and they become solely victims. What is very interesting are the cast members that surround the predator, knowing and complicit without ever being actively involved, Jessica Star Maison has a strong opinion about them.
Loni Elizabeth Watson's art is a pleasure, very clearly the work of an creative individual, it manages the time shifts of the story with ease and delivers action and conversation with lovely detail.
The cast are not drawn with naturalistic detail, they are vividly expressive and the use of panels to develop the ideas of the story is masterful. When action is required it is harsh and forceful.
Mark Anthony Macta's inks and colours bring out the details of the art and powerfully deliver the emotional tone of the story. The page where Lita becomes Pistil is superbly done, all the elements of the story combine to great effect.
Pistil is a full tilt story. the creators have made a choice and expressed it with skill, detail and determination, hey have also delivered a story that engages the reader and made a super comic. Fantastic.
Lita Soledad escaped from two years of sexual slavery to the USA, haunted by the spirits of her ancestors Las Adelitas, spirits who burn for vengeance. Lita hides the demands of her past and her ancestors untill news from a small town forces her to act in the shape of Pistil. A young girl was assulted and killed herself, now another girl falling into the orbit of the predator.
The story unfolds in an unexpected way, circumstances are not straightforward. The predator is unconstrained appetite, the girl is uncertain, unhappy and desperately seeking something. The story takes the time to give her the depth and scope that victims loose after the assault and they become solely victims. What is very interesting are the cast members that surround the predator, knowing and complicit without ever being actively involved, Jessica Star Maison has a strong opinion about them.
Loni Elizabeth Watson's art is a pleasure, very clearly the work of an creative individual, it manages the time shifts of the story with ease and delivers action and conversation with lovely detail.
The cast are not drawn with naturalistic detail, they are vividly expressive and the use of panels to develop the ideas of the story is masterful. When action is required it is harsh and forceful.
Mark Anthony Macta's inks and colours bring out the details of the art and powerfully deliver the emotional tone of the story. The page where Lita becomes Pistil is superbly done, all the elements of the story combine to great effect.
Pistil is a full tilt story. the creators have made a choice and expressed it with skill, detail and determination, hey have also delivered a story that engages the reader and made a super comic. Fantastic.
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