A very enjoyable and entertaining set up for a smart supernatural story about a monster hunter who is searching for the undead warlock who killed her parents.Fell Barros arrives in the town of Titanfolly and encounters David Shimizu a retired monster hunter who wants nothing to do with the spate of missing people in the town. Fell is really interested and starts to investigate and finds herself pulled into trouble. The story unfurls very nicely, genre staples are used carefully and shaken up equally nicely, the reveals are very well staged and the layers of the story are cleverly set up so that by the end the story possibilities are enticing.
Ben Fleuter has used a classic story framework, a woman on a personal mission of vengeance is assisted by a powerful agency that has an interest in her quarry and perhaps an undeclared interest in the woman as well. The woman is aided by another who has enough experience to sense the hidden currents and still has a commitment to helping the woman. The story possibilities are huge and Ben Fleuter has the talent to exploit them.
Giving the framework a supernatural element is great dimension, it creates a range of possibilities that Ben Fleuter takes full advantage of. From the opening episode to the steady unfurling of the background that brought Fell Barros to begin her hunt, the supernatural element is integral to the story. It is not used to solve difficult plot points, it is the context that binds all the layers of the story together.
Fell Barros is a great character, she is full of angry energy and focus, what she does not have is enough experience to survive without assistance. David Shimizu is a genre staple, the overly experienced hunter dragged back into the game to protect someone else. Instead of being a walking cliché, he has a nice humanity and a wary appreciation of the scale of the risks that Fell does not see. Pairing an inexperienced female with a much more experienced male always runs the risk of diminishing the female role, Ben Flueter sidesteps this problem very nicely, Fell gets to establish herself before and after she meets David, she is clearly the lead character, this will be her story. She will be standing , learning and fighting for herself.
The villains are great, from the cause of the problems in Titanfolly to the Atlas agency and the Hierophant they are substantial threats to Fell and David. they have mixed motives and agendas which make them hard to deal with and are very determined to achieve their goals. The struggles that Fell has are consequential, she is never given an easy way out, to win she has to be willing to fight hard and not back down.
The total mix makes The Sword Interval a very engaging read, Ben Fleuter has great confidence in his story telling and is willing to take the time to set up events with sufficient detail that when the action arrives it has a genuine impact. The complicated backstory that brings Fell to Titanfolly is really delivered.
The art is friendly and moves naturally from action to conversation, the supernatural creatures are given a life and energy that makes them both otherworldly and ferocious. One of the substantial pleasures of the book is that Fell looks like a female human, fit and strong with exaggeration, she as well as the rest of the cast are expressive and move naturally in their context. The low key colouring by Natasha Tara Petrovic is perfect for the tone of the story, matching the matter of fact presence of the supernatural in the world.
The Sword Interval Volume 1 solves the problems of a set up with confidence and clever detail, the story possibilities opened in a very inviting way and I look forward to the road ahead.
Ben Fleuter has used a classic story framework, a woman on a personal mission of vengeance is assisted by a powerful agency that has an interest in her quarry and perhaps an undeclared interest in the woman as well. The woman is aided by another who has enough experience to sense the hidden currents and still has a commitment to helping the woman. The story possibilities are huge and Ben Fleuter has the talent to exploit them.
Giving the framework a supernatural element is great dimension, it creates a range of possibilities that Ben Fleuter takes full advantage of. From the opening episode to the steady unfurling of the background that brought Fell Barros to begin her hunt, the supernatural element is integral to the story. It is not used to solve difficult plot points, it is the context that binds all the layers of the story together.
Fell Barros is a great character, she is full of angry energy and focus, what she does not have is enough experience to survive without assistance. David Shimizu is a genre staple, the overly experienced hunter dragged back into the game to protect someone else. Instead of being a walking cliché, he has a nice humanity and a wary appreciation of the scale of the risks that Fell does not see. Pairing an inexperienced female with a much more experienced male always runs the risk of diminishing the female role, Ben Flueter sidesteps this problem very nicely, Fell gets to establish herself before and after she meets David, she is clearly the lead character, this will be her story. She will be standing , learning and fighting for herself.
The villains are great, from the cause of the problems in Titanfolly to the Atlas agency and the Hierophant they are substantial threats to Fell and David. they have mixed motives and agendas which make them hard to deal with and are very determined to achieve their goals. The struggles that Fell has are consequential, she is never given an easy way out, to win she has to be willing to fight hard and not back down.
The total mix makes The Sword Interval a very engaging read, Ben Fleuter has great confidence in his story telling and is willing to take the time to set up events with sufficient detail that when the action arrives it has a genuine impact. The complicated backstory that brings Fell to Titanfolly is really delivered.
The art is friendly and moves naturally from action to conversation, the supernatural creatures are given a life and energy that makes them both otherworldly and ferocious. One of the substantial pleasures of the book is that Fell looks like a female human, fit and strong with exaggeration, she as well as the rest of the cast are expressive and move naturally in their context. The low key colouring by Natasha Tara Petrovic is perfect for the tone of the story, matching the matter of fact presence of the supernatural in the world.
The Sword Interval Volume 1 solves the problems of a set up with confidence and clever detail, the story possibilities opened in a very inviting way and I look forward to the road ahead.
Nice review. Do you still have physical copies of "The Sword Interval" comic? If so, can I buy it from you? I'm trying to produce my own review of it, and it would simply be easier with the book.
ReplyDeleteHello Kjkeener, I got both volumes as part of Kickstarter campaigns. I suggest that you contact the author directly I am sure he will still have stock.
ReplyDelete