A very engaging and enjoyable comic with a stand out lead character. Lucy Maitland has lost her father in an accident and her brother and her mother are crumbling in the aftermath of the death. Lucy is trying to hold everyone together while coming under significant pressure from fellow pupils at school. When she meet Dylan, a friendly stranger who helps her Lucy finds that she is falling for him. As the story continues in this issue it becomes clear that Dylan is not entirely what he appears to be and Lucy's problems with the other pupils become significantly worse. Lucy's brother Jamie is becoming aware that something strange is swirling around them but is unable to express it clearly or forcefully enough to be properly heard. Lucy gets a dressmaking commission which may become the opportunity that Dylan was looking for.
This is Lucy's story and she deserves the spotlight. She is a great character, Chris Robertson has done something remarkable, written a teenager who feels like a teenager. Unfortunately most teenager characters are so buried in cliches that the reader cannot hear their heartbeat. Lucy is vital and strongly herself, she is massively distressed, confused and horrifyingly vulnerable, she is also resilient, aware and determined. Lucy engages the reader forcefully by being herself and this is what makes the story work. Lucy is increasingly in danger and the tensions exists because the reader has the opportunity to care about her. The rest of the cast are equally varied in themselves and have a strong claim on the reader. The chief bully who spearheads the trouble at school for Lucy is not given any extra dimensions, the sheer force of her attacks give her powerful and nastily credible life.
Scott Beveridge's art is a pleasure to read, it captures the atmosphere and the subtle moves of the story with force and vivid expressiveness. The gray tones of the art capture the pervasive sense of loss and anxiety that hang on everyone, the emotions are loud and sharp, anger is always just waiting to explode. The quiet time with Dylan is a relief and frightening at the same time. Each member of the cast is distinct and at the same time share strong resemblances. Nicely done to capture the sense of a small town with a strong local population that has not changed much over time as well as being Lucy's perspective.
The creators have delivered another intriguing episode in a strongly individual story with a confident and forceful style. They are taking advantage of the medium to push the story and capture the reader, making it look easy and unforced. A pleasure to read.
This is Lucy's story and she deserves the spotlight. She is a great character, Chris Robertson has done something remarkable, written a teenager who feels like a teenager. Unfortunately most teenager characters are so buried in cliches that the reader cannot hear their heartbeat. Lucy is vital and strongly herself, she is massively distressed, confused and horrifyingly vulnerable, she is also resilient, aware and determined. Lucy engages the reader forcefully by being herself and this is what makes the story work. Lucy is increasingly in danger and the tensions exists because the reader has the opportunity to care about her. The rest of the cast are equally varied in themselves and have a strong claim on the reader. The chief bully who spearheads the trouble at school for Lucy is not given any extra dimensions, the sheer force of her attacks give her powerful and nastily credible life.
Scott Beveridge's art is a pleasure to read, it captures the atmosphere and the subtle moves of the story with force and vivid expressiveness. The gray tones of the art capture the pervasive sense of loss and anxiety that hang on everyone, the emotions are loud and sharp, anger is always just waiting to explode. The quiet time with Dylan is a relief and frightening at the same time. Each member of the cast is distinct and at the same time share strong resemblances. Nicely done to capture the sense of a small town with a strong local population that has not changed much over time as well as being Lucy's perspective.
The creators have delivered another intriguing episode in a strongly individual story with a confident and forceful style. They are taking advantage of the medium to push the story and capture the reader, making it look easy and unforced. A pleasure to read.
Chief Wizard Note: This is a review copy very kindly sent by Chris Robertson. To buy a copy of Maidenstone 2, and you should give yourself the pleasure of reading a strong, thoughtful and original comic, it can be purchased at Forbidden Planet and Plan 9 in Aberdeen, and on our Big Cartel site. http://baguettenoirpress.bigcartel.com/
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