A very enjoyable and engaging story about the return of the Artful Dodger to London. Jack Dawkins, the Artful Dodger from Oliver Twist, who had been sentenced to transportation to Australia returns to London with a pardon and a plan. He has to find something or will be killed, to find what he is looking for the Dodger has to return to the people he left behind six years earlier. The search proves to be considerably more complicated that the Dodger had anticipated and involves him with a lot of people from his past. They are not always as he remember or imagined and Dodger finds that the past is a problem for his rapidly vanishing present. The set up is great, the reveals are very well staged and the conclusion satisfying and sharp.
James Benmore has taken a considerable risk in taking a character created by one of the greatest writers in English and trying to establish him away from the original context in a credible and sustainable way. He succeeds with great flair and with by cleverly using the giant shadow of Charles Dickens sparingly and effectively. They are used as grace notes in the story, they add to the enjoyment without ever being a pre-requisite to understanding or enjoying the story.
Jack Dawkins is a vivid character, brimming over with energy and personality, he drives the story forward at a relentless pace as he tries to assert himself against his opponents and circumstances. He is uncompromisingly straightforward about himself and what he is, a thief, his justifications are very well put forward. The supporting cast are all pushing forward as they should to be seen and heard,n not the least being the city of London itself, Dodger's home turf and playground. When Dodger has to leave London he is somewhat stranded out of his natural context, he still has an impact however.
The plot mechanics are excellent, they create the structure that allows the Dodger to move among his old companions with a credible reason and pushed the action ahead very well. The steady twists that they take are smartly set up and lead to a tremendous conclusion that is very satisfying and forceful.
James Benmore has created a character of his own with an independent life away from his origins and built a great story around him. Dodger is dangerous company and a highly engaging one.
James Benmore has taken a considerable risk in taking a character created by one of the greatest writers in English and trying to establish him away from the original context in a credible and sustainable way. He succeeds with great flair and with by cleverly using the giant shadow of Charles Dickens sparingly and effectively. They are used as grace notes in the story, they add to the enjoyment without ever being a pre-requisite to understanding or enjoying the story.
Jack Dawkins is a vivid character, brimming over with energy and personality, he drives the story forward at a relentless pace as he tries to assert himself against his opponents and circumstances. He is uncompromisingly straightforward about himself and what he is, a thief, his justifications are very well put forward. The supporting cast are all pushing forward as they should to be seen and heard,n not the least being the city of London itself, Dodger's home turf and playground. When Dodger has to leave London he is somewhat stranded out of his natural context, he still has an impact however.
The plot mechanics are excellent, they create the structure that allows the Dodger to move among his old companions with a credible reason and pushed the action ahead very well. The steady twists that they take are smartly set up and lead to a tremendous conclusion that is very satisfying and forceful.
James Benmore has created a character of his own with an independent life away from his origins and built a great story around him. Dodger is dangerous company and a highly engaging one.